We like to think that we
know our favorite directors. The simple fact is that we do not, and the best of
them are always capable of surprising us. Alfred Hitchcock, the Master of
Suspense, delivered outright horror in Psycho (1960); Steven Spielberg
proved that he was just as adroit when handling the special effects
extravaganza of Jurassic Park as the hard-hitting and grounded Schindler’s
List; and now Quentin Tarantino shows us that he has a soft side with his nostalgic
look back on old Hollywood in Once Upon a Time…in Hollywood.
Of course, any film that Tarantino
directs will still feature his greatest hallmarks, but Once Upon a Time…in
Hollywood is another matter entirely. Indeed, one could look at the
director’s previous movie, the bleak and nihilistic Hateful Eight, and
this film and be hard-pressed to suggest that they were the work of the same
director. Not since Jackie Brown (1997) has Tarantino delivered a film
quite as laid-back and relaxed, a film that is happy to take its time in
meandering through its story, and whose characters are brought to the forefront,
deconstructed, analyzed, and presented for the audience’s enjoyment.
Those characters in Once
Upon a Time…in Hollywood are embodied by Leonardo DiCaprio and Brad Pitt as
Rick Dalton, a struggling former western TV star, and his stuntman Cliff Booth
respectively. DiCaprio and Pitt are front-and-center in this film. This is
their story as both struggle to find their place in a changing film industry,
and both men are pitch perfect in their parts. DiCaprio in particular is
enthralling in every scene he’s in. Whether he’s chastising himself for
forgetting his lines, or drunkenly accosting hippies in his pajamas, it is no
exaggeration to agree with little 8-year-old Trudi Fraser who Rick shares the
screen with when she whispers in his ear that “that was the best acting I have
ever seen in my whole life.”
DiCaprio and Pitt almost
never leave center stage in the film, and so they are complimented by a number
of glorified cameos from Margot Robbie as Rick’s neighbor, Sharon Tate, Mike
Moh as Bruce Lee with whom Booth spars on set, Damian Lewis as Steve McQueen,
and Al Pacino as Rick’s agent. But perhaps the most important character in the
film is Los Angeles of 1969, meticulously recreated by Tarantino and his team.
Hollywood is evocatively brought back to life not only through the beautiful
set dressing, but a massive soundscape of late ‘60s radio hits, nearly all of
which seem to be blaring from the speakers of Rick and Cliff’s cars.
Though Once Upon a
Time…in Hollywood is atypical Tarantino, when he does serve up his standard
profanity-laced, razor-sharp dialogue and excessive violence, it does not
disappoint. But, for any audience member expecting this film to be a retread of
the director’s earlier work, they shall be disappointed. I, however, was
thrilled to watch Tarantino spread his wings and am of the opinion that he has
done some of his finest work here. Indeed, the film’s last thirty minutes may
be some of Tarantino’s very best as a storyteller; stretching tension at every
turn and then wrongfooting the audience at nearly every opportunity.
If film fans can learn
nothing else from Once Upon a Time…in Hollywood it is not to pigeonhole
their favorite filmmakers. The best of the bunch have always got a surprise up
their sleeves.
*
In my ongoing ranking of
Tarantino films, I have discovered the list to be a much more fluid entity than
I once thought. This revised list has changed since my last Tarantino review (Death Proof) and perhaps it is time to properly revisit
this list. In the meantime, here is my ranking as it currently stands updated
to include Once Upon a Time…in Hollywood from favorite to least
favorite:
Pulp Fiction (1994)
Inglorious Basterds
(2009)
Once Upon a Time…in
Hollywood (2019)
Jackie Brown (1997)
The Hateful Eight (2015)
Django Unchained (2012)
Reservoir Dogs (1992)
Kill Bill (2003,2004)
Death Proof (2007)
