Good writing is
noticeable. It usually has a pattern too; you can spot it easily. The writing
of Aaron Sorkin certainly has a pattern. His scripted movies are filled with
fast-talking, quip-creating characters. Watching one of his movies is like
watching a tennis match in which the players are playing with three tennis
balls; each one a different idea or strand of the conversation which is
verbally batted around and eventually strung together. As one who is an
appreciator of great dialogue, Sorkin’s movies are always enjoyed and what is
so special about Steve Jobs is that
it brings his dialogue to the front.
Broken into three nearly identical
segments, Steve Jobs is all about the
characters and all about their interactions. It’s a simple premise and it
should be reiterated that this film is not
a biopic. It is about Steve Jobs, but it would be difficult to call Steve Jobs the
story of the man’s life. This is a deconstruction of the man. This is a look
into three (fictionalized) moments which showcased who Steve Jobs really was,
presenting all of the facets of one of the most divisive characters from the
twentieth century.
To do the premise of this
movie justice takes a skilled cast, and the ensemble gathered together by
director Danny Boyle is brilliant. Michael Fassbender really does shine in the
title role and, while I wasn’t convinced he was
Jobs, I was lost in his performance. Kate Winslet, Seth Rogen and Jeff
Daniels compliment him in no small measure.
The ultimate compliment I
can pay a film is when it becomes something other than a film: an experience.
Steve Jobs is such an example. A masterfully written character piece which is
brought to life by a truly talented group of actors drew me into the story and
made it an ordeal to hit that pause button.
That’s what good writing
can do.
No comments:
Post a Comment
Note: only a member of this blog may post a comment.