What Ever Happened to Baby Jane is a strange, strange film. Its storyline is at times meandering and repetitive. The characters – even the normal ones – seem just a bit off. Its camera setups can be peculiar, and its musical score is frenzied, hurtling between scary melodious. It’s a film where the opening credits don’t start until the twelve-minute mark and the stars, Bette Davis and Joan Crawford, don’t show up for another eight.
However, What Ever Happened to Baby Jane is a fascinating film to watch. Davis and Crawford, who were real-life rivals, give performances filled with so much latent hate that it’s almost palpable. In fact, Davis’ Oscar-nominated performance as Jane is nothing short of brilliant. Once seen her song-and-dance performance as she tries to recapture her youth is haunting. Crawford, as the invalided Blanche may have less to do but she is nevertheless excellent as the sympathetic sister.
Much like the old house in which the two sisters reside, What Ever Happened to Baby Jane feels dirty and old. It’s the kind of movie where its unrelentingly grim atmosphere gets under your skin and is liable to make the viewer feel uncomfortable. It’s a film which was ahead of its time, and you’re left wondering if all of those strange choices enumerated above might have been deliberate; an effort to make the movie feel even more otherworldly and intangible. Though classified today as a horror film, What Ever Happened to Baby Jane might not elicit the kind of shocks that its contemporary horror films did, but it is a evocative, creepy picture nevertheless.
Today, one may recoil at the out-and-out over-acting from both Davis and Crawford, and the sheer weirdness of character actor Victor Buono is a curiosity in itself, but What Ever Happened to Baby Jane succeeds wonderfully in the end. It’s a film that – despite its downbeat nature – you end up enjoying.
And that may be the strangest part of all.