(Possible, Mild Spoilers)
I think my biggest
complaint with superhero movies today is despite the fact that they are
marketed as action-adventure movies, superhero films give us not exciting,
gritty set-pieces (the like that you’d find in your standard Bond film or Die Hard), but elect instead to present
a CGI extravaganza robbing the film of any inherent reality. It’s become the
norm for the genre today, so I found myself much surprised when, following just
such a computer-generated battle early on in Wonder Woman, the film slow itself down, took itself a little more
seriously, and presented an interesting story instead of one fake-looking scene
one after the other.
What surprised me even
further was that Wonder Woman –
though the latest installment in DC’s extended universe franchise – is for all
intents and purposes a superhero film; the movie is, at its core, a World War I
spy thriller. Its narrative, which played out like one part All Quiet on the Western Front and one
part 1940s serial, was really interesting and, at times, quite poignant. The
film’s characters were unique and relatable, and the film’s period setting made
Wonder Woman’s fish-out-of-water story feel understandable, and further
justified the typical presentation of Edwardian British men’s flabbergasted
reactions towards liberated women.
For much its runtime, Wonder Woman presented itself as a very
well-made action-adventure film. While the film was compared to The Dark Knight (2008) in early reviews
as DC’s finest movie, I don’t think I would go so far as to say that. The film’s
final act sadly brought the whole down; introducing a neatly-executed but unnecessary
twist which made the final half hour feel as generic and standard as every
other superhero film out there.
But, Wonder Woman is nevertheless a very important film. It proves what so many
people already knew: that a female-centric superhero film can be a great
success. While far from flawless, Wonder
Woman should hopefully herald in an entirely new breed of superhero flicks
to add new life to male-dominated and – by now – tired genre.
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