(Possible, Mild Spoilers)
I think my biggest complaint with superhero movies today is despite the fact that they are marketed as action-adventure movies, superhero films give us not exciting, gritty set-pieces (the like that you’d find in your standard Bond film or Die Hard), but elect instead to present a CGI extravaganza robbing the film of any inherent reality. It’s become the norm for the genre today, so I found myself much surprised when, following just such a computer-generated battle early on in Wonder Woman, the film slow itself down, took itself a little more seriously, and presented an interesting story instead of one fake-looking scene one after the other.
What surprised me even further was that Wonder Woman – though the latest installment in DC’s extended universe franchise – is for all intents and purposes a superhero film; the movie is, at its core, a World War I spy thriller. Its narrative, which played out like one part All Quiet on the Western Front and one part 1940s serial, was really interesting and, at times, quite poignant. The film’s characters were unique and relatable, and the film’s period setting made Wonder Woman’s fish-out-of-water story feel understandable, and further justified the typical presentation of Edwardian British men’s flabbergasted reactions towards liberated women.
For much its runtime, Wonder Woman presented itself as a very well-made action-adventure film. While the film was compared to The Dark Knight (2008) in early reviews as DC’s finest movie, I don’t think I would go so far as to say that. The film’s final act sadly brought the whole down; introducing a neatly-executed but unnecessary twist which made the final half hour feel as generic and standard as every other superhero film out there.
But, Wonder Woman is nevertheless a very important film. It proves what so many people already knew: that a female-centric superhero film can be a great success. While far from flawless, Wonder Woman should hopefully herald in an entirely new breed of superhero flicks to add new life to male-dominated and – by now – tired genre.